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Brutotron's Life/Death DanceAtomic Stone AgeBrutotron's Death/Life Dance

mic and the Statue
Gametone and Kim Guzowski

Do I look harried?  Does Kim look annoyed?
Well that's the way I remember it.
I am captured here telling her that the show has already started. 
(She is the first and only speaking character
and we would soon run out of vamping music)
Kim appears irked that I am breaking her character.
I don't blame her.

Just a minute before, my partner Hugh Mann
was playing the pre-show music, 
while I was studying  my cryptic music cue sheet
covered with my chicken scratched notes,
hoping I would correctly interpret the actions of the dancers
and come in on time with my share of the music.
Corinna Vosse, the creative mastermind behind this whole thing,
rightly has high standards
as to what she wants, and when she wants it.
She will tell you about it in no uncertain terms.
I imagine this comes with the territory of creating such
amazing pageant and spectacle on an
approaching Absolute Zero budget.


The pre-show music
was a recording of Hugh improvising on clarinet
while I laid down an impromptu bed on the samplers.
The  music is ambient, eerie and dense enough to
fill that echoing space with just the guitar amplifier we had as a P.A.
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Atomic Stone Age  -- Pre Show Music
Pre-Show Music
We recorded it just a few days before and were quite well pleased. 
It was more the style of music that comes naturally to both of us
as opposed to the more programmatic stuff we created for the play. 

 

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